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Founded by Ognjen Gligorijević, OGV Design Studio is a Design, Creative Direction and Typography studio established since 2020. Based between Niš, Serbia and Amsterdam, The Netherlands. Our practice moves between the commercial and artistic world, with a great passion for working within the cultural field; Specialized in Editorial Design, Typography, and Visual Identity in the fields of culture, art and fashion.
︎︎︎ Publicity
The Brand Identity
Print Magazine
Bounty Hunters
Another Graphic
Type01
Design & Paper
Graphic Art News
Fonts in Use
Typographic Posters
The Essential Design
Pangram Pangram
︎︎︎ Solo Exhibitions
2024 “What if your mind became the reality for one day?”, National Museum SP (Smederevska palanka, Serbia)
2024 “Small Talk by the Border”, De Bouwput Gallery (Amsterdam, The Netherlands)
2023 “Post Reality, Gallery 11 by Atelier61 (Novi Sad, Serbia)
2023 “Escapism”, Gallery Stara Kapetanija (Belgrade, Serbia)
︎︎︎ Group Exhibitions
2024 “Untitled” with Veera Komulainen, Mangano & van Rooy, De Bouwput Gallery (Amsterdam, The Netherlands)
2020 Romanian Design Wee, 25M2 Space (Bucharest, Romania)
2019 Dev9t Festival, Ulična galerija (Belgrade, Serbia)
The Brand Identity
Print Magazine
Bounty Hunters
Another Graphic
Type01
Design & Paper
Graphic Art News
Fonts in Use
Typographic Posters
The Essential Design
Pangram Pangram
︎︎︎ Solo Exhibitions
2024 “What if your mind became the reality for one day?”, National Museum SP (Smederevska palanka, Serbia)
2024 “Small Talk by the Border”, De Bouwput Gallery (Amsterdam, The Netherlands)
2023 “Post Reality, Gallery 11 by Atelier61 (Novi Sad, Serbia)
2023 “Escapism”, Gallery Stara Kapetanija (Belgrade, Serbia)
︎︎︎ Group Exhibitions
2024 “Untitled” with Veera Komulainen, Mangano & van Rooy, De Bouwput Gallery (Amsterdam, The Netherlands)
2020 Romanian Design Wee, 25M2 Space (Bucharest, Romania)
2019 Dev9t Festival, Ulična galerija (Belgrade, Serbia)
︎︎︎ Email
studio@ogvdesign.com
ognjen@ogvdesign.com
︎︎︎ Phone
+381692269200
︎︎︎ Address
Jurija Gagarina 63
Niš, Serbia
18000
︎︎︎ Services
Advertising, Art Direction, Books, Branding, Business Cards, Creative Direction, Design Consulting, Editorial, Naming, Packaging, Posters, Social Media, Stationery, Typography, Visual Identity, Web Design, Exhibition Design
︎︎︎ Work Featured in
2025 “IdN Magazine: Branding Systems and Key Visuals”, ISSN 10294805, Pages 114-117
2025 “Beyond Design: The Guidance and Application of Printing Methods”, Sandu Publishing (Guangzhou, China)
2023 “Art Life Magazine” (Likovni život)
Print Edition 163, Page 26, (Serbia, Belgrade)
2023 “Posters”, Bounty Hunter Publishing, ISBN 978-1-3999-3411-4 (London, UK)
2021 “Nije sve u izgledu”, Written by Nikolina Jerkovic, White space Publishing (Split, Croatia), ISBN 978-95349-7560-2
“Looking at the work of OGV Design Studio it is clear that graphic design involves a lot of what might be called grammatical abstraction. It is perhaps this play with meaning and un-meaning that to us makes the act (and result) so compelling — like awe of the ambiguity of a clarification.” - Cargo
studio@ogvdesign.com
ognjen@ogvdesign.com
︎︎︎ Phone
+381692269200
︎︎︎ Address
Jurija Gagarina 63
Niš, Serbia
18000
︎︎︎ Services
Advertising, Art Direction, Books, Branding, Business Cards, Creative Direction, Design Consulting, Editorial, Naming, Packaging, Posters, Social Media, Stationery, Typography, Visual Identity, Web Design, Exhibition Design
︎︎︎ Work Featured in
2025 “IdN Magazine: Branding Systems and Key Visuals”, ISSN 10294805, Pages 114-117
2025 “Beyond Design: The Guidance and Application of Printing Methods”, Sandu Publishing (Guangzhou, China)
2023 “Art Life Magazine” (Likovni život)
Print Edition 163, Page 26, (Serbia, Belgrade)
2023 “Posters”, Bounty Hunter Publishing, ISBN 978-1-3999-3411-4 (London, UK)
2021 “Nije sve u izgledu”, Written by Nikolina Jerkovic, White space Publishing (Split, Croatia), ISBN 978-95349-7560-2
“Looking at the work of OGV Design Studio it is clear that graphic design involves a lot of what might be called grammatical abstraction. It is perhaps this play with meaning and un-meaning that to us makes the act (and result) so compelling — like awe of the ambiguity of a clarification.” - Cargo